The Discovery of Paris: Watercolours by Early Nineteenth-Century British Artists
Thursday 20th June, 2013 - Sunday 15th September, 2013
Price: Admission Free
'This gem of a show [...] filled with ravishing works of art', Richard Dorment, The Daily Telegraph
'Thoughtfully conceived and containing unexpected pleasures [...] among the most happily accommodated of the exhibitions mounted in the basement galleries of the Wallace Collection since their inauguration in 2000.' Richard Green, The Burlington Magazine
'Barker's drawings are exquisitely detailed [but] Boys is the undoubted star of the show.' Timothy Wilcox, Apollo
'One to be savoured, not to be missed', William Packer, The Times
The Discovery of Paris - few exhibitions could have a more appealing theme. Focusing on the period c. 1802-40 and featuring seventy watercolours, preparatory drawings and associated prints, this exhibition includes outstanding works by Turner, Girtin and Bonington, and other artists who are now less familiar, such as Thomas Shotter Boys and William Callow. The beautiful Parisian views they chose are often the same as those painted by the artists we can see today selling their pictures in Montmartre or on the banks of the Seine. The Discovery of Paris charts the remarkable contribution of the British to the iconography of Paris, depicting the French capital as it became the major destination for mass middle-class tourism that it has remained ever since
With the ending of many years of war, first with the Peace of Amiens of 1802-3 and then after the final defeat of Napoleon at Waterloo, Paris became an irresistible attraction for thousands of British tourists, among whom were many painters. Before the French wars, the city had been an important early stop on the Grand Tour, and it quickly re-assumed its key position. As steam-powered transport became available, the Grand Tour, and Paris, in particular, became increasingly popular for the middle classes, as well as the aristocracy. British artists lived in the city and both fuelled and responded to this demand. There was an unprecedented interest in views of Paris, and artists, from the obscure, such as Robert Batty and John Gendall, to the eminent, such as Turner and David Cox, responded to this excitement with an extraordinary range of works, from simple pencil views to the most elaborate watercolours, some for sale and exhibition, but many also for engraving as illustrations in guides and souvenir publications.
Paris had been painted many times before, but never more beautifully than by nineteenth-century British artists, and very rarely by artists of such high standing in their own countries. Their styles also varied widely, from the precision of Thomas Shotter Boys, whose superb watercolours will be some of the stars of the show, to the incomparable verve of Turner at his most intense.
Rarely seen works will be lent by great museums including Tate, the V&A, the British Museum and the Fitzwilliam Museum, Cambridge, as well as several private collectors. Although the Wallace Collection owns a fine group of early nineteenth-century British and French watercolours by some of the artists featured in the exhibition, we do not have any views of Paris. This, in fact, is not surprising, because most collectors do not buy views of the cities in which they live – there are, for example, only a handful of Canalettos in Venice. So, although the 4th Marquess of Hertford and his son Richard Wallace spent much of their lives in Paris, they were far from unusual in their lack of enthusiasm for buying views of the city. The Discovery of Paris will both complement our great collection of nineteenth-century British and French paintings, which includes works by Lawrence, Delacroix, Delaroche and Meissonier, and beautifully illustrate the Paris that our Founders knew so well, offering a pictorial perspective on their lives.
As visitors enjoy familiar scenes of Notre Dame, the Boulevard des Capucines, the Pont Neuf and the Ile de la Cité we hope that they can partake in their own rediscovery of Paris, and appreciate the role that these great British artists played in popularising it for posterity.
J.S. Davis, 'Interior of the Chruch of Saint-Sulpice, Paris', c. 1834. Cat. 34. (c) The Trustees of the British Museum. R.P. Bonington, 'The Institut, Paris' (detail), probably 1828. Cat. 26. (c) The Trustees of the British Museum. T. Girtin, 'Paris, View over the Rooftops towards Montmartre', 1801-02. Cat. 2. (c) The Trustees of the British Museum. T.S. Boys, 'The Quai de la Megisserie, the Pont au Change and the Ile de la Cite from the Pont-Neuf' (detail), 1833. Cat. 42. (c) The Trustees of the British Museum. D. Cox, 'The Pont des Arts with the Louvre and Tuileries from the Quai Conti', c. 1837-38. Cat. 63. (c) Victoria and Albert Museum, London. A. Poynter, 'Sketches of Figures, 1', c. 1835. Cat. 56. (c) Victoria and Albert Museum, London. J.M.W. Turner, 'Boulevards, Paris', c. 1833. Cat. 52. (c) Photograph courtesy of Sotheby's. H.A. Baker, 'Three Preliminary Drawings for 'View of Paris from Seine' (1)' (detail), 1802. Cat. 1. (c) Victoria and Albert Museum, London.
Press clippings and media for this exhibition.
'This gem of a show has history, colour and character [...] compact, beautifully installed and filled with ravishing works of art. Stephen Duffy's Catalogue is a mine of information, and it tells us as much about the history of Paris as it does about the history of art.'
Richard Dorment, The Daily Telegraph
'See one of the most romantic cities on Earth through the eyes of some of the world's most outstanding artists'
Artists & Illustrators
'Lose yourself in pretty Parisian panoramas, captured in wonderful watercolours by 19th-century British artists'
'Perhaps the most interesting aspect of the exhibition is the re-discovery of Thomas Shotter Boys, whose exquisite depictions of The Tuileries and Notre Dame are not to be missed.'
The Art Fund
'The Discovery of Paris est une contribution remarquable des Britanniques à l'iconographie parisienne, représentant la capitale française avec une palette quasi impressionniste [...] On y fait un tour.'
'Admirably chosen and curated by the Collection's Stephen Duffy, whose lightly worn scholarship informs the excellent catalogue, it is ne to be savoured, not to be missed.'
William Packer, The Times
'Barker's drawings are exquisitely detailed [but] Boys is the undoubted star of the show.'
Timothy Wilcox, Apollo
'Thoughtfully conceived and containing unexpected pleasures [...] among the most happily accommodated of the exhibitions mounted in the basement galleries of the Wallace Collection since their inauguration in 2000.'
Richard Green, The Burlington Magazine